Cylburn Arboretum and the Vollmer Center

Several weeks ago, my friend Sarah and I drove up to the Baltimore area to visit the Vollmer Center at the Cylburn Arboretum and walk the grounds. (We were also there to take in an exhibit of photos by my colleague Roger Foley, from a recently published book called On Walnut Hill, about a private garden in Baltimore.)

Cylburn Arboretum, over 300 acres in size, is open to the public year-round, with an historic mansion (available to rent for events) and miles of woodland walking trails. There are some cultivated garden areas up near the mansion, including one small garden space with a gazebo that was serving as the setting for a wedding when we saw it. 

There were also a number of beautiful old dissected Japanese maples on the grounds.

A shot from the inside of an area where four Japanese maples had grown up in a circular planting area, making them look like a single, enormous tree.

It was the area nearest the Vollmer Center (and the Center itself), however, that I found most appealing the day we visited. The Center, designed by GWWO Architects, is nestled down in the landscape below the Cylburn Mansion, built into a slope and boasting views into the surrounding trees that were nothing short of spectacular the day we visited. It is modest in both size and aspect but extremely well designed, and has a number of  “green” features, including geothermal heating and cooling and composting toilets. Hope you enjoy these photos of it and its surroundings, and do plan a visit if you’re in the area.

The Vollmer Center, nestled into a hill with an amphitheater area to the right forefront.

A view from the main, large room in the Center out to the surrounding woodlands.

Another view from the Center to the outdoors makes the space seem larger than it is.

A small patio area is located off to the side of the building, above the amphitheater steps.

Brilliantly planted approaches to the Center shine in the autum.

A Chinese pistachio tree – one of several planted near the Center – in brilliant fall color.

Tall grasses and a Persian parrotia tree take center stage.

Fall foliage seemed to be at its peak the day we visited.

Perennials and grasses in a planting farther away from the building.

The grey stone of the building is a foil for strong fall colors.

Foliage on a dogwood tree between the Center and the Mansion

The Mansion is visible at the crest of the hill between the trunks of these two trees.

Perfect Gardens in Virginia’s Piedmont Area

In mid-October, the Association of Professional Landscape Designers held their national design conference here in Washington, DC. In addition to a full day or more of sessions on sustainability in gardens, marketing, design topics and the like, the conference included three full days of visiting gardens, two in the DC suburbs and one in the Piedmont region of Virginia, outside Charlottesville.

I had been involved in helping select the Maryland and northern Virginia gardens conference-goers visited, so I didn’t sign up for those two days. But I was really curious about two gardens scheduled for the Monday ‘Piedmont region’ extension of the conference, and so joined a number of good friends for a day trip to see them.

Our first stop was Mt. Sharon Farm, in Orange, VA. Designed by landscape architect Charles Stick in collaboration with the owners (Mary Lou and Charlie Seilheimer), the garden sits on a hilltop overlooking beautiful vistas that Mrs. Seilheimer described as thinking she is “lucky to come home to” every day.

One of the views from a path at Mt. Sharon Farm.

The garden itself was begun in 2000 but feels as though it has been there for many decades, in part because of the massive boxwoods that help create several ‘rooms’ and which Stick insisted should remain (another landscape architect whom the Seilheimers interviewed recommended removing all the boxwoods on site; he was not hired). Stick designed the garden with the principle in mind that all aspects of it should relate to the surrounding views outward, and it shows, even in spaces like the rose garden and the adjoining boxwood parterres.

Massive boxwoods predating the Seilheimers’ acquisition of Mt. Sharon were preserved and transplanted to form some of the garden ‘rooms.’

An enclosed ‘room’ of Leyland cypress.

This ‘Tapis Vert’ has a fountain at the end of it to draw visitors’ eyes to the view beyond. Hornbeams were originally planted to form an aerial hedge but failed to thrive and have been replaced with trident maples.

The boxwood parterre steps down to a rose garden.

A gazebo at the side of one of the axes of the rose garden.

Afternoon light in the rose garden.

Another view of the fountain in the rose garden.

Mt. Sharon is probably at its loveliest in the spring, and occasionally has been open to visitors during Virginia’s Garden Week. For more images of it during that time of year, visit Roger Foley’s website or check out his wonderful book, A Clearing in the Woods, which includes a chapter on Mt. Sharon.

After a too-short stay at Mt. Sharon, our bus took us onward to Warrenton, where we visited Marshfield, a 40-acre estate whose 12-acre garden has been designed by C. Colston Burrell. The current owner’s grandmother, Mrs. Samuel Appleton, was a founding member of the Garden Club of America, and so the gardens have been named the Appleton Gardens in her honor. The modest brick house at the top of the drive is tucked in among old oak trees and Japanese maples, but it was Burrell’s magic farther away from the house that drew me and my camera. We had plenty of time here, and ate dinner outside in the outer reaches of the garden. I’ll let the photos speak for themselves, but this was for me the highlight of the trip.

Masses of Virginia bluebells and ‘Viridis’ tulips bloom along this drive in the spring.

A small pool on the edge of the driveway

The pool leads up to a small waterfall.

A seat facing the meadow.

Small carex as a groundcover with conifers.

A grove of Gingko ‘Princeton Sentry’ above a small retaining wall at the edge of the property.

Another view of the Gingko grove.

A path into the Cutting Garden from the area where we had dinner.

Sedum and ajuga (cultivar unknown).

Backlit grasses in the Cutting Garden, with lantana in the foreground

Another view of the Cutting Garden

One section of the Cutting Garden includes boxwoods, a welcome bit of structure among the wildness of the annuals there.

At evening’s end, two APLD members stroll through the arch up toward the house.

Stopping By the Chicago Botanic Garden

On the same July trip that took me to Chicago and the Lurie Garden downtown, I also made a stop at the Chicago Botanic Garden (no, not in one day!). For years this garden has been on my list of public gardens I really wanted to see. It’s huge – 356 acres spread out over nine “islands,” with 26 different display gardens. Even in a full day, a visitor couldn’t do justice to all of it. So in a post-flight stop of several hours before dinner, I barely scratched the surface of a few of its offerings.

First of all, I have to say that regardless of where I was, the container plantings were spectacular. Even those inside the administrative buildings were awesome.

Interior plantings in one of the administrative buildings at the Chicago Botanic Garden in a color palette that I loved.

My friend and I visited the Heritage Garden, modeled after the first botanic garden in Europe, in Padua, and dedicated to Carl Linnaeus. It was bustling with visitors and full of mid-summer blooms.

A view of one of the rills in the Heritage Garden

From there we discovered the Circle Garden, which is apparently regularly planted with unusual annuals, beginning with a display of spring bulbs and ending in October with masses of chrysanthemums. We saw it lush with dahlias and Verbena bonariensis, one of my favorite annuals because of its airy nature and tendency to self-seed (although not, unfortunately, in my own garden).

In a small “side room” of the Circle Garden, four boxwoods are underplanted with a chartreuse sedum – a great color combination.

Verbena bonariensis dances in front of a fountain in the Circle Garden.

Verbena and red fountain grass in a mixed planting along a path border in the Circle Garden.

After the Circle Garden, we walked to the Japanese Garden on a separate island.

The center hedge is of Hinoki falsecypress, the first time I’ve ever seen that tree used in such a fashion.

A view from the main island of the Japanese Garden over to a separate, smaller island not accessible to visitors.

By the time we left the Japanese Garden, I thought there could hardly be anything more impressive than what I’d seen, particularly since our next destination was the vegetable and fruit garden. (Confession time – I have never found gardens devoted solely to fruits and vegetables particularly visually appealing.) However, I was in for a real surprise. Known as the Regenstein Fruit and Vegetable Garden, the area features 400 kinds of edible plants that do well in the Chicago area. It offers family activities and educational programs. But it was the garden’s clever use of hardscape choices and designs (raised beds, decorative brick paving patterns, vertical surfaces for growing herbs and veggies) that took the garden into the realm of ‘art.’

The raised beds visitors see as they approach the Fruit and Vegetable Garden by bridge is spectacular.

So I leave you with a sampling of images from the Fruit and Vegetable Garden, and I urge you to visit the Chicago Botanic Garden when you can. I can’t wait to return.

A rich tapestry of vegetables and herbs growing in raised beds in the Fruit and Vegetable Garden.

‘Buttercream’ sunflowers with blue tuteurs in the background.

Thyme and variegated sage

Oregano ‘Kent’s Beauty’ is one of three types of oregano on a vertical ‘trellis’ in one of the walled areas.

Three kinds of oregano planted in a vertical pattern, with ‘Kent’s Beauty’ on the right side.

Phlox in the courtyard – no mildew in sight!

 

 

 

CityGuides II – SF Architecture and Private ‘Public’ Spaces

If you read my last post, you know I’m a fan of San Francisco City Guides, a volunteer-run series of wonderful walking tours within the city. When I last visited, in June, I wanted to take their Tales of the Castro tour, but it had been cancelled for Pride Weekend (probably a wise decision given the other events scheduled for the area that weekend).

Instead, I opted for a walk called ‘South of Market Architecture Stroll,’ which promised to focus on architecture and history in and around the Financial District. To my delight, it not only delivered on that promise but also included a look at a number of privately owned ‘public spaces’ (or POPOS, as they’re called in San Francisco).

More about those in a moment. First, however, a look at the Bell Building’s amazing interior space – primarily the lobby, but  quite a show. Located at 140 Montgomery Street, the Bell Building was built in 1925. Parts of its exterior walls on one side of the building still have a bell motif with ‘telephone book’ pages above them.

One side of the Bell Building, at 140 Montgomery Street. Note the ‘telephone pages’ motif at the top, with repeating “bell” symbols at the bottom.

Inside the lobby, the Art Deco motifs are stunning.

The lobby of the Bell Building has ornately painted ceiling deocations.

An elevator door.

Even the air vents in the lobby are Art Deco in style.

At one point, there was discussion of turning the building into condos, which didn’t happen. Today, the primary tenant is Yelp (not all their employees, just some).

Much of the rest of our tour (although not all) involved seeing POPOS, or ‘privately owned public open spaces.‘ Since 1985, San Francisco has required developers constructing projects in defined areas of the city to provide publicly accessible spaces in the form of terraces, parks, atriums, and other spaces for use by the public. These spaces may be inside a building, on top of it, or completely outdoors. Buildings with such spaces are required to post signs (which must be a specified size or larger; apparently initially some building owners used miniscule signage to discourage people from learning about their POPOS!). Like this.

A ‘Public Open Space’ notice at 101 Second Street in San Francisco. Note that open hours are specified since this is interior space in a building.

Some of the POPOS have food and/or restrooms available (although you may have to look a bit for the latter). Some have quiet spaces away from the bustle of the street, in case you are between appointments or want a place to hang out other than a restaurant or coffee shop.

A privately-owned but publicly accessible space in the form of an atrium at 101 Second Street. There is a coffee bar under the mezzanine area.

Tucked away at the back of 55 Second Street is this spacious, large space sometimes used for meetings by City Guides volunteers.

The outdoor spaces are equally impressive, and often include art funded through the city’s “1% Art Program” which requires that large projects in  Downtown and nearby neighborhoods provide public art that equals at least 1% of the total construction cost.

A POPOS at 555 Mission Street Plaza includes a “trio of mottled aluminum heads” by artist Ugo Rondinone.

This block-long park is open day and night.

The park has seating for passersby.

Public art – a slowly moving set of giant wheels.

There are so many POPOS that an entire CityGuides walk is devoted to them. You can also find a map online and lots of reviews by city natives of their favorites – just Google “POPOS.” I  hope to see more when I next return to the City By the Bay.

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Garden Shoots will be on vacation for the month of August. See you in September!