The Best Camera

There’s an oft-repeated saying among photographers that the best camera is the one you have with you. In March, I went on a fabulous photo workshop in Charleston with two first-class photographers and teachers, Alan Sislen and Colleen Henderson.  I took along my new Nikon D600 and soon I’ll share some of the photos I took with it. But today’s post is about my other “best camera,” which now accompanies me everywhere, the one in my iPhone 5. Colleen taught us some pointers on great apps to use, and now I find myself reaching for the iPhone more often than ever. Here’s a good example of what you can do with it.

This trio of Clematis ‘Dawn’ was taken and “framed” with Camera+ and captioned in the Over app.

And another recent favorite:

Echevaria ‘Morning Light’ photographed in Camera+, edited with Handy Photo, and captioned in Over.

The phone takes really sharp closeups (no wonder, with an f-stop of 2.4). My favorite app for capture is Camera+, which gives me at least a 7 MB image to work with. That’s what I used on the first photo, adding the “border” with the same app and then importing the image to “Over” to add the text overlay. In the second photo, I actually did some cloning to remove spots on the Echevaria with another app called HandyPhoto. (This is an amazingly versatile app, although it is very large and I recommend using it on the iPad rather than the iPhone unless you have incredibly nimble fingers!)

Tree peonies at dusk around Dupont Circle

Even in low light, Camera+ does a great job capturing a wide range of tonal values. This was taken around 7 pm a week or so ago in downtown Washington DC. (Copyright added in Over; no copyright symbol on our keyboards yet!) And it works well with azaleas, provided you don’t ask it to capture loud pink hues up close.

A ‘Madame Butterfly’ azalea at LPI’s shop in Poolesville.

Part of my back yard, taken just around dinner a couple of weeks ago, when both the flowering dogwood and azaleas were (finally) in bloom

Like to experiment with black and white? My other often-used app is Hipstamatic, when I want to capture patterns and shapes, or color isn’t the most important aspect of the image.

A group of variegated Solomon’s Seal in my back yard.

With Hipstamatic, although the app itself isn’t all that expensive, you can spend a bunch of money adding “packs” to shoot with (the one above uses the “James W + BlackKeys B+W” pack).

Another advantage of working with these iPhone images, especially for gardeners, is that they take up so much less space on your hard drive than images captured with a DSLR. Particularly now that I have a D600, which takes 24MB images, my computer is slowing down and filling up really fast. To work on iPhone images, I usually download them to Dropbox, open them on my iPad if I want to add a caption or work with HandyPhoto, and then I can delete them or save them to my computer if I like them. Otherwise, they may end up on my Facebook page (or my company’s FB  page) and there it stops.

I’ll close with another favorite closeup, of a tree peony. I took this one in a client’s garden last month. The iPhone was the only camera I had with me (although I usually have my Canon G11 around, for some reason it wasn’t with me that day). So glad I had it.

Tree peony, courtesy of the “best camera” I had with me.

Glowing Embers – A Winning Japanese Maple for Sun

As many readers know, a couple of years ago I had to take down a gorgeous crabapple tree in my front yard that was failing. And because I also had lost a 90-foot beech tree shortly before, on the other side of the front yard, the site had turned from shade to fiercely sunny.

In considering what to plant to replace the crabapple, I did some research and settled on a Japanese maple called ‘Glowing Embers.’  Usually you don’t plant Japanese maples in full sun – they prefer dappled shade. But this one is different – it takes full sun and high heat, and is a vigorous grower to boot. Developed by Dr. Michael Dirr, the dean of woody plants, ‘Glowing Embers’ received the Georgia Gold Medal Winner award in 2005. Ultimately it will reach 20-25′ high, a bit smaller than my crabapple was, but it will help provide shade to the eastern side of the house.

I planted it in November 2011, when all I could see to appreciate was its bark, which in winter has kind of a reddish cast to the branches, something I haven’t read about in online descriptions.

Taken with my iPhone, this image of the tree with its branches tied up on its way to the planting hole shows a reddish tint to the bark.

I’ve even had one designer colleague ask me if this was a ‘Sango Kaku’ maple, which are noted for their red branches. It’s not that intense, but it’s pretty impressive.

I loved the shape of my tree in winter, and took this image of it during a light snowfall.

‘Glowing Embers’ in snow.

In spring and summer, this tree has lovely light green leaves (a choice I favored because my house is red brick and I wanted it to stand out against that background).

A close up of the leaves as the little “whirlybirds” (oops, technically that’s “samaras” to us plant geeks ) start to appear. (iPhone 5 photo)

Acer palmatum ‘Glowing Embers’  last spring. I gave it extra water during the summer.

But it was in the fall that I fully appreciated ‘Glowing Embers’. The leaves can turn a variety of shades on the same tree, which explains how it got its name. And from tree to tree, it can take on a different aspect. Here are two photos, one from my specimen and another from a ‘Glowing Embers’ planted in a client’s garden.

A close-up of the leaves on my tree as they started to turn.

A ‘Glowing Embers’ planted in a landscape client’s garden, showing a slightly different range of colors on the leaves in autumn. Some of the reddish leaves had a purple tone to them.

What will the future bring? I’ll close with an image provided courtesy of the Georgia Botanical Gardens, of a mature ‘Glowing Embers’ in the fall at its Callaway Building.

© Contributors to
The State Botanical Garden of Georgia, 2007

I have no idea how long mine will take to get this large, but I hope it will be while I still call Thornapple Street my home.

An Artist Down the Road

In early March, the day of our “kick-off” meeting of all the crews and staff at Landscape Projects’ Poolesville, MD location, the other designers and I took a small road trip. Two miles away from our company’s physical plant, in Beallsville, sits Alden Farms, a local annuals-and-perennials garden center that happens to be owned by an accomplished sculptor.

David Therriault, the sculptor/gardener/entrepreneur in question, has been working with various kinds of “found” stone and metal for a number of years. What I loved about his work was its variety and how he combines different materials into a beautiful, cohesive work of art. Some of them are stand-alone sculptures of different sizes; some are water features. I saw at least a dozen I could envision incorporating into a garden.

If you’d like to contact David about his work, he can be reached via the Alden Farms website. If you live in the Montgomery County area, it’s worth a trip. But don’t be surprised if some of these works are gone when you visit, because I’m planning to take a client there soon, and she has a very large garden.

One of the water feature sculptures at Alden Farms

This piece, called “Shell,” could be used indoors or outdoors.

The stone used here is sandstone, etched with a beautiful design.

Some of the delightfully whimsical items available for sale at Alden Farms are by other artists.

One of my favorite works, this piece has metal insets and two different kinds of stone.

A detail from another water feature.

Inside David’s studio, this work caught my eye.

Another sandstone piece with a “yin-yang” flavor.

The Hinoki Falsecypress – Gold for the Garden

Recently, the Pennsylvania Horticultural Society announced its most recent Gold Medal Awards for garden plants. I was excited to see that my own excellent taste in plants had been validated by the inclusion of Chaemacyparis obtusa ‘Nana’, or dwarf Hinoki falsecypress.

My very own dwarf Hinoki falsecypress, about 12 years (I think) after planting. It’s in a sunny but occasionally windswept spot on the eastern side of my yard. (iPhone 5 photo, taken with Camera+ and captioned in Over app).

I fell in love with this shrub/tree during my education as a landscape designer. I love(d) its evergreen presence, the somewhat loose (but not out of control) way its branches and needles grew in a whorl-like manner, and the idea that you could include it in a mixed border or small garden and its slow-growing nature meant it wouldn’t eat the yard/house.

As both a gardener and photographer, I’ve found other aspects of it to admire.

A close-up of the foliage. This image (taken at the National Zoo) wound up being used as the front page of our landscape company’s brochure.

The bark exfoliates if the plant has been mislabeled (as sometimes happens in nurseries) and it’s not a ‘Nana’ after all. See this example from Filoli.

The bark of a non-’Nana’ Hinoki falsecypress on the grounds of Filoli Gardens in Woodside, California.

And last but not least, it produces these adorable little mini-cones.

Look closely or you might miss the cones!

The PHS chose this plant because, as my friend and colleague Jane Berger wrote in her blog post announcing the awards, “it is sorely under-used compared to dwarf Alberta spruce”, which is planted in so many housing developments.” (Don’t get me started on Alberta spruces . . .). The wood is rot-resistant and in Japan has been used for building temples, shrines, palaces, Noh theatres, and goodness knows what else. But if you  aren’t in the market for hardwood to build with, plant it for its beauty. It’s hardy from Zones 5-7, and possibly into Zone 8A.

M-Bracing in the Front Yard

A couple of years ago, I was hired by some new clients who were moving from a large house in the suburbs (with lots of deer) to a new house within walking distance of downtown Bethesda, Maryland, close to our firm’s offices. The lot was narrow and the front faced west. Most of the front yard was going to be taken up by a large two-car-wide driveway, and the husband wanted a shade tree to replace one that had been taken down. The wife wanted an ornamental tree, but she also wanted to be able to grow herbs and vegetables, something that hadn’t been possible in her other garden because of the deer. I proposed including some raised beds in the front yard because there simply wasn’t enough sun in the back garden, and she agreed.

So here’s the plan I came up with. I needed them to be as unobtrusive as possible, and far enough away from the street so that passers-by wouldn’t be tempted to pick tomatoes or nip off a few herbs.

The front yard plan as you face the house from the street.

See the three rectangles on the right property line, in the center of the yard? Those are the three raised beds, about 4′ x 3′ each. Stepping stones allow access to the beds for maintenance, and we planted Mazus reptans between them.

To dress up the beds, especially since this was a front yard, I had them constructed of high-quality cedar, and used M-Brace brackets on each corner.

Brackets on the two outer beds have a “bamboo” design cut out of the steel; the center bed’s brackets sport a “carrot” design.

By now you see where this is headed. We didn’t want the beds to sit empty all winter, just waiting for warm weather to be planted with veggies and herbs. So we planted pansies and tulips, and voila! A wonderful effect was created.

Tulips emerging from the pansies just as the hornbeams to the left of the beds start to leaf out.

The homeowners were delighted.

Almost (well, not quite) like being in Holland.

The beds now provide color in early spring, before the Okame cherry leafs out on the other side of the driveway.

The Mazus has filled in nicely, and recently we added some Knockout roses in a little row at the front of the beds. No more deer to worry about! (Now if we could just do something about the rabbits that are devouring the liriope in the tree beds . . . .)

An ‘Endemic Creation’ in El Cerrito

I enjoy visiting gardens that unsettle my designer’s sensibilities. One of my sons once told me that he thinks of me as a photographer who likes taking images of “beautiful things” (rather than edgy street scenes, etc.) and I guess that’s what my mindset is when I design – somewhat traditional gardens with as much beauty in the design concept as I can pull together. So when we visited a garden on the APLD Conference Tour described in our materials as an “East Bay hillside in a modern vein,” I was delighted that our schedule let us spend some time there so I could take it all in.

Created by Brian Swope, who describes himself as a ‘contrarian designer,’ the back yard garden welcomed us first.

The view from this part of the garden includes a vantage point that takes in the neighbors’ house – which belongs to the garden owners’ parents.

Where to start? The sloping site has been brilliantly handled; the gravel “trail” that is visible just beyond the  perforated steel obelisk ( which is lit at night) climbs a hill that is modeled after trails in Marin County, complete with switchbacks.

‘Siskyou Blue’ fescue grasses soften the planting area at the foot of the perforated steel obelisk.

The plantings in the garden are predominantly native species, including small buckeye saplings that cast shadows at night against panels set above a retaining wall behind the dining patio.

Buckeye saplings edge the patio area at the top of the steps.

Poured concrete walls, as well as the edging for the planting beds shown above, have been textured with Trex – something that I never would have thought of doing in a million years.

Bed edging, created from concrete forms textured with Trex.

Closer to the house, in a shady site, planting combinations were softer.

I loved this combination of ferns, ginger, clover and other shade plants at the edge of the back of the house.

The front yard, installed in a second phase of work, is defined by a previously existing bamboo hedge. Swope chose other large forms – substantial rocks, Corten-steel edging, and gravel – to respond to the bamboo as counterpoints. (For a look at some other Corten steel projects for the garden, click here.)

A variety of shapes and textures, including ‘Siskiyou Blue’ fescue grass again, define the narrow front garden.

In a harsh and challenging setting (with a fabulous view of the Bay), Swope and his client have created an inviting, modernist landscape. We felt privileged to visit it – and I knew my designer’s horizons had expanded, more than a little.

Art in the Garden, Bay Area-Style

One of the most enjoyable stops on the September 2012 “garden tour” APLD conference was a Bay area garden owned by Gail Giffen and Chris Pisarro in Lafayette, CA. Our tour materials gave this garden the title “Playing for Art’s Sake,” and that felt pretty accurate. The sculpture selections are eclectic and whimsical – from tiny metal marching “ants” at the foot of a large tree draped in a Marcia Donahoe “necklace” of carved wooden spheres, to a “motorcycle creature” hiding in the grasses on the outskirts of the back yard. The garden was designed by Michael Thilgen at Four Dimensions Landscape Company. Pisarro and Giffen, who sits on the Board of the Ruth Bancroft Garden, were incredibly gracious hosts – mimosas and snacks were on hand! I’ll let my photos tell the rest of the story.

Water, metal, stone and grasses create a wonderful palette of textures.

A view from the patio next to the rear entrance to the house.

The architectural elements of a motorcycle “creature” contrasts with flowing grasses.

Landscape and sculpture meld together in the outskirts of the garden.

Two reclining stone sculptures seem to rise from a bed or grasses and gaura.

The two figures, with the pool house in the background

A Malliol-like sculpture hugged the diving board but couldn’t block our access to champagne and Mimosa cocktails!

The swimming pool area, complete with sculptures.

Three mysteriously painted, colorful sculptures dominate the view from the rear patio.