A Visit to the Smithsonian Gardens Greenhouses

Last year, I had the honor of becoming a docent (a volunteer museum tour guide) at the Smithsonian American Art Museum (which we fondly call SAAM) in DC. One of the first things I noticed about the building’s interior was the always picture-perfect plantings in the raised marble planting beds in the Kogod Courtyard.

A lush planting of tulips and daffodils earlier this spring in the Kogod Courtyard.

One of the SI Gardens staff members adding hydrangeas last summer.

Earlier this year, a group of SAAM docents took a field trip to the Suitland campus of Smithsonian Gardens. It used to be called the Horticultural Division, with its greenhouses located on Capitol Hill, but in 2010 the facilities were relocated to new buildings in suburban Maryland.

In addition to maintaining all of the plant material for the gardens, grounds, and horticultural exhibits throughout the Smithsonian Institution, the SG staff work regularly with SI landscape designers to come up with plans for what will be planted in the various garden areas surrounding each of the museums. (The Zoo has its own Horticultural Division.)

According to its website, every year the Production Section provides more than 100,000 annual bedding plants, 200 hanging baskets, and 2,000 poinsettias.  Greenhouse Manager Vickie DiBella told us that plans have to be drawn up nine months in advance so the Propagation Division can grow the necessary annuals and perennials, either from seed or plugs. In the spring alone, over 20,000 annuals are needed for the garden areas, on and off the Mall. And in the fall the Tropical Division staff meet with the museums’ horticultural staff to see what will be needed over the winter.

In the Production Greenhouse.

Vicki DiBella and a volunteer showing our group small “plugs” of perennials being grown on for use at an SI garden.

Ornamental grass and pansy plants growing for use. The pansies are grown from seed.

The Production Greenhouse is also the site of hanging basket creations.

A Bismarck palm in the Tropical Greenhouse

An eye-popping hibiscus in bloom helped lift our spirits on a cold winter’s day.

Eighteen volunteers help augment the greenhouse facility staff of seventeen. In all, they are responsible for the divisions already mentioned but also the Butterfly Collection (for the exhibit at the Museum of Natural History), the Orchid Collection, an snow removal activities on the Suitland grounds.

The Orchid Greenhouse was full of wonderful colors.

We loved the “Orchid Rehab” Station” on one of the walls.

A pink thalanopsis variety in the Orchid Greenhouse.

More orchids. Can’t wait to see the exhibit in the SAAM courtyard next year!

Our group got a fascinating tour led by DiBella, the Greenhouse Manager. We covered a lot of ground and learned about how the SI Gardens staff and the various museums interact financially as well as in terms of planning displays. Each museum pays for plant material but not maintenance – except for my “home museum,” whose Kogod Courtyard is underwritten by SAAM and the National Portrait Gallery, which share the building space. By the end I was incredibly impressed by the work DiBella and her staff do – and looking forward to the 2019 Orchid Exhibit, which will be held at SAAM next winter.

For more information about the Smithsonian Garden Greenhouse facility, you can visit its location on the SI website here. And if you live in the DC area, they’d love to talk to you if you’re interested in volunteering!

 

A Visit to Kenrokuen Garden

Last month, I took a photography trip to Japan led by the incomparable Sam Abell. Our itinerary was unusual since most of the cities we visited were off the beaten track for most tourists, and I didn’t expect it to include any memorable gardens, especially since we weren’t headed to Kyoto, known for its stunning public and private gardens.

To my delight, I quickly discovered how wrong I was. In almost every city we visited, there was at least one breathtaking garden, often associated with a local temple, whether small or large. And in Kanazawa (located on the Sea of Japan in north central Honshu island), we spent most of a day exploring Kenrokuen, which is considered one of Japan’s three most beautiful gardens.

In 1985, Kenrokuen was designated as a National Site of Special Scenic Beauty by the government (having been merely a “place of scenic beauty” for several decades prior to that). Its construction began in the late 1600’s as part of the feudal lord Maeda Tsunanori’s creation of a garden adjacent to Kanzawa Castle. “Kenrokuen” means “having six factors,” and refers to six attributes considered by the Chinese and Japanese to create a perfect landscape: spaciousness, tranquility, artifice, antiquity, water sources, and a magnificent panoramic view. This garden, which extends over 25 acres in size, has them all.

Although we encountered rain off and on during our visit (not surprising given Kanazawa’s reputation as a “distinctly wet” city with over 190 days of rain a year), we enjoyed taking in the peak fall color of the leaves and watching the gardening staff taking part in yukitsuri. Yukitsuri, which literally means “snow hanging,” is the name for the annual process in which garden staff erect ropes in a conical shape over garden trees and shrubs in order to create structure to keep their branches from breaking in the wet, heavy snow the region gets every year. The resulting structures are not only practically useful but aesthetically appealing – a ‘win-win’ situation for garden visitors. The pine trees, in particular, are carefully taken care of; there is one that is over 200 years old and has many of its lower branches supported by sturdy wooden ‘props.’

Kenrokuen is visited year-round by many people, especially now that bullet train service is available from Tokyo. In the winter, the landscape must be breathtaking in snow. Spring brings cherry trees, azaleas and irises in bloom, and in summer the landscape views are all green and lush. In fall, when we visited, the trees are ablaze with golds, reds and yellows of countless varieties of Japanese maples. And year-round there are ponds to visit, paths to stroll, and teahouses placed for their views and to offer sustenance and contemplation for the visitor. By the time I left, at the end of the day, I had resolved to return in another season, and I hope you will be intrigued by these images to consider a similar resolve.

Even in the rain, garden-viewing is a popular pastime in Kanzawa.

A view near a tea house, with fall foliage in its glory.

Garden workers everywhere . . .

Especially installing “snow hangings” to protect branches from heavy winter snow.

More yukitsuri workers at Kenrokuen.

Finishing up a large tree near the lake.

The small wrapped stone says “do not enter” (for now)

A view across the lake

Even the benches are poetic in the rain.

These pine trees with their yukitsuri, near a statue, are apparently lit at night.

Sturdy supports keep these ancient pine branches in place.

A wider view

Tea house offerings.

Outside the entrance to the garden, paving details show the Japanese appreciation for beauty in the simplest things.

We left Kenrokuen in a steady rain that only enhanced its spell.

Kenrokuen Garden is located in Ishikawa Prefecture in Japan. It is open year-round from 7 am to 6 pm during March to mid-October, and from 8 am to 5 pm from October 16^th to the end of February. Admission fees vary (free for senior citizens with ID). More information can be found on its website.

Beauty Within and Without – Visiting the Franciscan Monastery

In Northeast Washington DC, in the Brookland neighborhood, sits the lovely Franciscan Monastery.  Earlier this week, a group from my camera club took a field trip there.

Although I had been to the Monastery before, it was only in springtime, and I didn’t venture inside.  That time of year, tulips are lavishly planted on the grounds and around all parts of the garden areas.

A statue of Mary, arms full of flowers, in the lower level of the gardens, the week before Easter.

More tulips near the Church, with the Rosary Portico in the background.

On my more recent visit, although there were still a few roses in bloom here and there near the Portico, most of the visual interest outside the Basilica came from the Rosary Portico, the statuary, and magnificent trees in the last stages of fall color.

A magnificent oak (I couldn’t identify the kind) serves as a backdrop for the Rosary Portico, which frames the main area surrounding the Basilica, and the Ascension Chapel (right background).

The Rosary Portico contains plaques (not visible here) with the text of the Hail Mary shown in nearly two hundred ancient and modern languages.

Around the corner from the Basilica, planted next to a stone building that was closed when we visited, I spotted what seemed to be Ilex verticillata (winterberry) shrubs in fall color, still hanging on to their berries.

Ilex verticillata with berries. Guess the birds hadn’t discovered these yet!

Eventually we made our way into the Basilica and before starting to photograph, had a fascinating tour about the history of the building – including a walk through some catacomb areas. Then we re-emerged into the sun-lit interior, where for an hour we were allowed to photograph to our heart’s content, using tripods as we looked for large vistas and small detail images. Hope you enjoy what I came home with.

The altar is covered by a baldacchino, which is beautifully painted.

The railings have this cross motif repeated.

The small door directly facing the camera is supposed to represent the door to the Sepulchre.

The baldacchino’s suports are intricately designed with figures of saints and symbols.

I loved the large chandeliers hanging from the ceiling and spent a lot of time trying to capture this one, with sidelighting.

Another view of the altar.

For more information on the Mount St. Sepulchre Franciscan monastery, visit its website or read more about it in Wikipedia.

Cylburn Arboretum and the Vollmer Center

Several weeks ago, my friend Sarah and I drove up to the Baltimore area to visit the Vollmer Center at the Cylburn Arboretum and walk the grounds. (We were also there to take in an exhibit of photos by my colleague Roger Foley, from a recently published book called On Walnut Hill, about a private garden in Baltimore.)

Cylburn Arboretum, over 300 acres in size, is open to the public year-round, with an historic mansion (available to rent for events) and miles of woodland walking trails. There are some cultivated garden areas up near the mansion, including one small garden space with a gazebo that was serving as the setting for a wedding when we saw it. 

There were also a number of beautiful old dissected Japanese maples on the grounds.

A shot from the inside of an area where four Japanese maples had grown up in a circular planting area, making them look like a single, enormous tree.

It was the area nearest the Vollmer Center (and the Center itself), however, that I found most appealing the day we visited. The Center, designed by GWWO Architects, is nestled down in the landscape below the Cylburn Mansion, built into a slope and boasting views into the surrounding trees that were nothing short of spectacular the day we visited. It is modest in both size and aspect but extremely well designed, and has a number of  “green” features, including geothermal heating and cooling and composting toilets. Hope you enjoy these photos of it and its surroundings, and do plan a visit if you’re in the area.

The Vollmer Center, nestled into a hill with an amphitheater area to the right forefront.

A view from the main, large room in the Center out to the surrounding woodlands.

Another view from the Center to the outdoors makes the space seem larger than it is.

A small patio area is located off to the side of the building, above the amphitheater steps.

Brilliantly planted approaches to the Center shine in the autum.

A Chinese pistachio tree – one of several planted near the Center – in brilliant fall color.

Tall grasses and a Persian parrotia tree take center stage.

Fall foliage seemed to be at its peak the day we visited.

Perennials and grasses in a planting farther away from the building.

The grey stone of the building is a foil for strong fall colors.

Foliage on a dogwood tree between the Center and the Mansion

The Mansion is visible at the crest of the hill between the trunks of these two trees.